![]() click on the Chat bot on the bottom right hand corner of the first screen Or if you'd like to see a Blu-ray of the production, gmail me at gdburns and I'll send it off after the presentation.Adobe removed old links from public view If you happen to be in Tasmania in November, come along, I'll give you free entry. The best in Tasmania outside the cinemas. This project will be showing at a local venue in November, tiered seating with a 7m screen. Full screen on full HD screen? Better than that. For certain images that can't be replaced (photos of areas that are now inundated by dams, for instance), converting to B&W is the only solution.ģ. I've done B&W conversions for scans of Agfa slides, which all have the turning-purple problem. But I know what you're getting at, and I'll do some experiments. ![]() Hadn't considered B&W for the films because the colour is pretty good. Adjusting the reds downwards via Levels does give pretty good results for skin tones (I had already tried doing that via Curves), but it affects the rest of the image slightly. For example, the mountains with clouds hated any adjustment to it via levels with the exception of red gamma. Seems to me that if you really want to be perfect you'd have to make cuts just so that level effect can be adjusted just on those parts that you want it. You're probably in a col corrected monitor and would finesse as you see fit, but it seems to work playing with the red gamma. I put level effect in sample and had a hard time seeing skin tone so messed around so I could see it better, and then basically just lowered red channel gamma from 100 to 90. My laptop is not color corrected monitor, but most people won't have that either when they view your final product. A little flat maybe, but that was necessary to get all the tones. Nothing bothers me about it just the way it is. ![]() I didn't go into editing computer and just using laptop got some minor observations. You got moved to CS6 and earlier SUBSPACE. It's a pity that Adobe never implemented Hue/Saturation in Premiere CS6. I'm not looking for superb colour accuracy, in fact I want most of the imperfections of the film to remain so that it has the look of an old film. If anyone else wants to experiment on the film to see how best to reduce the reds, I'd been interested to hear your comments. And when I try that in AE or PS, is seems to be an excellent start, affecting only those red skin tones. Why would that be?Īnyway, as soon as I saw the reds I thought: desaturate them 30% using Hue/Saturation, my typical solution for slide scans that have a one-colour saturation problem. There is a small amount of red cast overall, but it is mostly a skin-tone problem. Reds are the main problem – but only when skin tones are in the frame. The upload has been scaled to 50% and converted to ProRes 422 (from the original 4444) I had it scanned at 2k on a Lasergraphics Scanstation, supposedly the best scanner for 8mm film. The film was taken in 1947 on a 14-day trip from Cradle Mt to Lake St Clair and then to Frenchmans Cap. For Tasmanian bushwalkers, the target audience, it has significant historical interest. I've uploaded a 1 minute snippet from the film (330 MB). I was hoping that desaturating reds could be accomplished by a workaround, but according to responses to my post in the Photoshop forum about how desaturation is actually done, there's a lot of complex maths behind it.
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